Mosquito
A New Effects pedal From Burford Electronics
The Mosquito Octave Up Fuzz
A unique Octave up fuzz, which will give you pure fuzz on one twist of a knob & octave fuzz on one twist of another knob. So you can have your fuzz setting for rich body & add octave fuzz to it or turn the fuzz down & just use the octave fuzz control for cutting lead. There is also a control called Sting, this is a tone filter that alters the voice of the octave from sharp to mellow.
The octave is not over the top, on the lower register it is quite subtle, you can even play power chords and it holds together extremely well. Without that horrible modulation that is associated with some analogue octave up pedals even some of the legendary expensive ones.
Try soloing somewhere from the 8th fret upwards, it is very responsive and particularly so around 12th/15th fret and even higher. Neck and back pick ups give different sounds. Even playing positions will give different responses.
Mosquito features…
- True bypass.
- Buzz level - [standard fuzz level control].
- Octave level - [octave fuzz level control].
- Sting – [octave tone control]
- Power input socket, 9 volt negative center [standard]
power supply not supplied
Playing tips and techniques are….If you are using neck pick up, play close to it, if using bridge pick up play close to that one, try playing in different areas around each pick up. Also you are probably aware that for best octave sounds, hit the notes accurately and try not to hit adjacent strings as you are playing, this will give a ‘pure’ sound. Power chords usually work best between open strings and down to about the 8th fret, these tips will start you off, but most of all have fun! |
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Britt Boost
This is the culmination of all the booster pedals from the 1960's
and is fitted with new old stock premium selected Mullard germanium P.N.P.
transistors. Its features are:
True bypass
- Level control
- Battery or 9 volt [negative centre] power input socket [compatible with most modern power supplies]
There is a three way rotary
selector on the left-hand side of the pedal that gives you:
- 1 - Treble boost
- 2 & 3 - pre-selected boost
positions with increased mid. [All three give slightly different boost
voicing].
THE BEST OF BRITISH
Click here for review |
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The Britt Face
by Burford Electronics
After playing the majority of fuzz boxes
from the late 60's up to modern day turn outs, I've never been completely
satisfied with the fuzz sounds, particularly for live work, so, I decided to
design my own using a hybrid circuit, with a negative earth. [Now there's a
novelty, but one that should have been done years ago, now, making it
compatible with modern day negative centre power supplies.] The hybrid design
uses Germanium for the soft clipping and Silicon for the higher gain &
stability, giving The Britt Face a fuzz tone with a fuller bass response to mid
range, without any of those nasty 'fizzy fuzzy' sounds. It has good stability,
so it will run for hours and you will always have the same sound with out any
bias adjustment, irrespective of temperature changes [within reason, we would
therefore suggest you do NOT put it in the deep freeze or the oven!]
The Britt Face features:
- Fuzz control - this you can turn back
from full fuzz to over drive settings with clarity, unlike it's predecessors
which would lack treble, usually sounding quite thick.
- Voice - This control gives a lush bass
response, which the fuzz faces and tone benders tended to lack. Turn clockwise
for 'crunch'
- Level - this is the ratio between
bypass and effect [volume control]
- It has true bypass
- 9 volt [negative centre] power input
socket [compatible with most modern power supplies]
Click here for review |
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The Burford Sonic Ranger -Treble
Booster
Hand-built in the heart of England by Alan Exley
for Burford Electronics.
A germanium transistor treble boost -
This is a clone of the 1960's Rangemaster, one of the most influential pedals
ever produced. This is renowned to be the sweetest treble boost ever made and
was used for two reasons - one, to give extra cutting edge for rhythm playing
and second, to drive the front end of tube amplifiers. The people who used
these type of boosters, such as, Hornby Skewes, Orange, The Dallas Rangemaster,
Eric Clapton, Brian May, Ritchie Blackmore, Rory Gallagher, Dave Gilmore, and
many other English guitarists to push their tube amplifiers into creamy
distortion with overtones. The result of the rangemaster into a good tube
amplifier is evident on the Bluesbreakers 'beano' recording [into a JTM45]and
the first 2 Black Sabbath albums [into a Laney stack]
Its features are:
- The use of Germanium
transistor circuitry
- True bypass - will not affect
your guitars natural voicing when off
- Set or level control- to give
the correct amount of level between bypass & boost
- Very low battery drain
- On the e.q. Boost selector switch
[mounted at top of pedal], to the left is the classic Rangemaster sound. To the
right is mid and bass boost, this modification was done to the Rangemaster to
act as a boost to overdrive tube amps. Tony Iommi in the early Black Sabbath
used a modified Rangemaster.
Please note there may be some slight
noise on the set or level control, when adjusting between 6 and 10, this is not
a fault with the pot or circuit, this is the way the output level is controlled
where DC voltage meets AC voltage, this noise is only present when the control
is turned and is not present when the control is stationary. Cheers,
Alan
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Burford Sonic Ranger |
£49.95 |
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Burford Electronics Volume Calibrator Unit
Wire this up to your volume control
& you will get a perfect linear sweep
in volume & in tonality. Perfect for
live or studio use.
Comes with easy fit instructions
[some soldering skills required] |
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Burford Electronics Volume Calibrator unit |
£8.95 |
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Burford Electronics
Mid Frequency Choke
The Burford mid frequency choke will remove a lot of the mid range, giving great rhythm properties and almost acoustic
sounds. When wired in. it will be interactive with your tone control & gives great Jazz sounds as well.
Works on all magnetic pick ups[not piezo].
Totally passive,
no batteries, easy fit [some soldering skills required].
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Burford Electronics Mid Frequency Choke |
£12.95 |
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Burford Electron Grid Suzz
SuperDrive pedal
Brand new boutique
effects pedal from Burford Electronics, hand built in the heart of England.
This silicon Superdrive pedal is designed by Alan Exley using the legendary JRC 4558 chip.
It has two controls, pre-gain & output level and e.q. toggle switch, giving 2 tonal presets.Tthe e.q. switch uses a fazel type inductor to modify the sound to give a harmonic spike,this gives you extra high range mids, is great for those pinched harmonics and Brian May type sounds.
This pedal has low battery consumption but does have a negative center power supply socket, and uses true bypass switching, that will not alter the guitars natural voicing.
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Burford Electron Grid Suzz
S.I. |
£59.95 |
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Robot Ring
Modulator
Boutique effects pedal from Burford
Electronics
Hand built in the heart of England.
Feed your guitar through this device and you will get the guitar
sounds mixed with the sum and the difference between the guitar and the
oscillator frequencies, producing 'metallic' overtones to your guitar and
various strange techno sounds, depending on where the oscillator pitch is set.
What was it used on? If you listen to the guitar solo on the track
Paranoid, by Black Sabbath, you will hear pure distortion guitar on one side
and ring modulation on the other. In the stereo image this sounds quite weird.
I'm quite sure it's been used on many things. Another classic example is on the
Doctor Who theme.
This device is great for playing riffs, creating loops,
and other weird phrases. The features of this pedal are:
It has two controls, modulation and oscillator. The modulation
control adjusts the mix of the dry signal to be effected. The oscillator
controls the pitch of the oscillator tone.
It has
two switches: one is accent, the other one is range. The accent adds another
feature to the oscillation, which gives a slightly different character to the
sound. The range switch has three ranges. 1 is the upper band (easier to tune
to high frequencies). 2 is upper and lower band. 3 is the sub band. This gives
low-fi, tremolo type sounds, (which can be quite "nasty").
Also there tends to be a "click", almost like interference from the
oscillator - with the accent on you can get some bizarre type sounds by playing
with or against the beats that are going on: all you need is root and octave.
It also sounds very different if you play against the bridge.
It has two jack sockets: one in and one out and it has true bypass.
Setting suggestions to get you going.....
With modulation fully anti-clockwise, range on 1,
oscillator fully clockwise, tune into higher pitch range and play riffs,
chords or lead and adjust modulation to suit. Switch on
the accent setting and then generally mess around.....
Try tuning the oscillator to the key you are playing a riff in, adjust
modulation accordingly then try going down an octave on the oscillator and see what happens......
Go to 3 on the range switch, about half-way on the oscillator,
turn modulation up full, hit an open A and get familiar with the beat then put
the accent on and play either with or against the beat with root and
octave....
Have FUN!!
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Robot ring modulator |
£65.00 |
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U.F.O. Repeater Tremolo
This is a new pedal from BURFORD ELECTRONICS,
Designed by Alan
Exley
Its Features are:
- Speed control
- Proximity control
- Voice select switch
- True bypass
- 9 volt power input [negative centre]
and battery
It also features pulsing L.E.D.s that
pulse in rhythm with the effect. Speed control goes
from a slow pulse to fast.
With the select switch
to the square symbol the proximity control will give subtle 'in & out'
pulsing all the way to 'repeating machine gun fire'. With the switch flicked to the circle, the proximity control will
give soft 'chill out' cool tone pulses to 'rapid underwater rippling &
bubbles'
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UFO Repeater Tremolo |
£59.00 |
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The Reefer Coral sitar sound
Boutique effects pedal from Burford
Electronics
Hand built in the heart of England.
This makes your lead
playing sound like a sitar. For best results single note lines, root note and
octave and picking, not suitable for full chords.
As a starter - Try dropping the E string down to D, the A
string will then become the fifth, The D string is now the octave. Play on the
G-string start on 7th fret, the second octave of D and play a typical minor
raga scale.
Its Features Include:
- True bypass
- Ring/Zing - This is a mix control
between dry signal and sitar effect
- Less/More - This is the output level
control
All you have to do is to play close to
the bridge of your guitar, it will work best with the bridge pick up however if
two pick ups on together or neck pick up adjust hard and soft control.
Humbucking pickups tend to be more favorable, due to the extra mid range
frequencies.
This is one thing missing from the
psychedelic era of the sixties.
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Reefer Coral Sitar sound pedal |
£69.00 |
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Techno lo – fi
New effects pedal from Burford Electronics
This is an interactive
fuzz, great for techno wild and wacky sounds.
Its features:
- True bypass
- Battery or mains [negative centre]
power input
Controls left to right are - voice, regurge
& level
Voice is a powerful active filter, which gives you, from normal ‘crunch tone’ through mid range ‘honk’ sounds to wah voicing and through ‘thick creamy’ fuzz tones.
Regurge is a powerful voltage controlled filter that gives you straight signal through to synthetic sounds to weird envelope gurgling and is interactive with the voice control.
Last one speaks for itself really, less or more between bypass and effect.
Click here for review |
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Burford Solo Master
Pedal
This is a new pedal
designed by Alan Exley, exclusively for Burford
Electronics & hand built in England
No more stopping and fumbling around to set your solo levels on
your guitar volume controls or using old graphics and E.Q. pedals to boost your
volume! This completely transparent FX pedal will give you the true voice of
your guitar and amplifier.
The Solo Master is
a solo/rhythm foot pedal. It is completely passive, noiseless, and uses true
bypass which does not alter your guitar's natural voicing. It has a red LED
which lights up when in the bypass position.
So
how does it work?
Switch it to bypass position
and adjust your amp setting for your solo sound, (you may require slight boost
in middle and treble for the cutting edge). Once you have achieved your sound,
switch the pedal on (that is with the LED off) and adjust the mid-range
control on the pedal until you feel you have your rhythm sound. You can also
adjust the filter to back off some of the treble edge.
Once this is achieved, switch to bypass mode and compare your solo
level (LED ON) to your rhythm level (LED OFF). If you still need to reduce your
rhythm level use the volume control of the pedal
accordingly.
This pedal is completely passive
and uses a 9 volt battery ONLY to power the LED light.
Click here for "Total Guitar" review |
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Burford Solo Master |
£49.95 |
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LIVE-WIRE ELECTRONICS
Products Reviewed In
"Guitarist" (Oct 2004 issue 255- page 123)
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Tuned Filter System
1
This T.F.S will filter out slightly
different mid-range to the T.F.S 2 giving you great funky type sounds on your
humbuckers and single coil pick-ups, all the way to electro acoustic type
sounds. The bandwidth leans itself over more to the rhythm style of playing
than the T.F.S.2. ~ With easy fit instructions
Click
here for "Total Guitar" quick test review
PLEASE NOTE: This is a
modification which fits inside the guitar and is passive
THE BEST OF BRITISH |
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Tuned Filter System
2
The T.F.S will filter out the mid-range
and make your humbuckers give great single coil sounds. Single coils will give
funky type sounds, even to a slight electro-acoustic edge ~ With easy fit
instructions
The system is great for turning these
humbuckers into single coil sounds (better than coil-tapping). The bandwidth
leans itself over to more of a lead style of playing
Click
here for "Total Guitar" quick test review
PLEASE NOTE: This is a
modification which fits inside the guitar and is passive
THE BEST OF BRITISH |
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NEW
PRODUCT Livewire ST- Tone mod for Stratocasters
This new module is completely passive and
updates your Stratocaster's tone and volume controls - with easy fit
instructions. This will give you linear response, calibrate your volume
control - in other words, no more treble loss or uneven volume control.
First tone control will act as master treble filter for pitch ups with no
"muddy dump" at one end. Tone control 2 will act as a mid-range
filter for all pick ups to give extra funky sounds to "acousticy"
style voicing. Both of these tone controls will interact for extra tonal
variations.
PLEASE NOTE: This is a
modification which fits inside the guitar and is passive |
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Livewire ST Tone Mod |
£29.95 |
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SOUNDS CREATIVE
Products Reviewed In
"Guitarist" (Oct 2004 issue 255 - page 123) |
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Rhythm Master
Pro middle cut includes a push-pull pot -
down for band 1, up for band 2. Great for those funky sounds. Turn your
humbuckers into simulated single coils. Full wiring diagrams and fitting
instructions
PLEASE NOTE: This is a
modification which fits inside the guitar and is passive |
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Tone Cube
Fit this to your guitar and it
recalibrates tone and volume to give an even response, (usable controls). As
reviewed in "Total Guitar". Full wiring diagrams and fitting
instructions.
Reviewed In "Total Guitar" (Feb 2003
issue - page 123) - 4 out of 5 stars .
PLEASE NOTE: This is a
modification which fits inside the guitar and is passive |
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International orders: Please click the "upgrade postage" button before completing your order!
For all items please allow
up to 28 days for delivery. For items required very urgently please e-mail for confirmation of stock before placing your
order
We will accept payments by cheque (drawn on a U.K. Bank), by Bank Transfer or Postal Order for those who would rather not make payment online. Please email for details. All payments must be in G.B. Pounds.
e&oe. Projectguitarparts reserve
the right to change prices without prior notice. |